3_17-unmakings.jpg
3_deutschsilvie19.jpg
3_silviemargotdeutsch2009002.jpg
3_silviemargotdeutsch2009032.jpg
  Unmakings , 2009 Installation: paper clothing patterns, cloth, thread, straight pins, projected single-channel video  This installation centered on concepts of clothing-making, conveyed as an environment of paper forms, video and thread. I first followed the directions of clothing patterns, then departed and allowed for new systems to dictate the results. Unraveling and reconfigured threads were projected onto the limestone gallery wall in a series of stop-motion animations, which abstracted knitting’s inherent system.

Unmakings, 2009
Installation: paper clothing patterns, cloth, thread, straight pins, projected single-channel video

This installation centered on concepts of clothing-making, conveyed as an environment of paper forms, video and thread. I first followed the directions of clothing patterns, then departed and allowed for new systems to dictate the results. Unraveling and reconfigured threads were projected onto the limestone gallery wall in a series of stop-motion animations, which abstracted knitting’s inherent system.

3_17-unmakings.jpg
3_deutschsilvie19.jpg
3_silviemargotdeutsch2009002.jpg
3_silviemargotdeutsch2009032.jpg
  Unmakings , 2009 Installation: paper clothing patterns, cloth, thread, straight pins, projected single-channel video  This installation centered on concepts of clothing-making, conveyed as an environment of paper forms, video and thread. I first followed the directions of clothing patterns, then departed and allowed for new systems to dictate the results. Unraveling and reconfigured threads were projected onto the limestone gallery wall in a series of stop-motion animations, which abstracted knitting’s inherent system.

Unmakings, 2009
Installation: paper clothing patterns, cloth, thread, straight pins, projected single-channel video

This installation centered on concepts of clothing-making, conveyed as an environment of paper forms, video and thread. I first followed the directions of clothing patterns, then departed and allowed for new systems to dictate the results. Unraveling and reconfigured threads were projected onto the limestone gallery wall in a series of stop-motion animations, which abstracted knitting’s inherent system.

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